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By Michael Madhusudan Datta,Clinton B. Seely

"The poem is emerging into best recognition. a few say it really is larger than Milton-but that's all bosh-nothing could be larger than Milton; many say it licks Kalidasa; i've got no objection to that. i don't believe it very unlikely to equivalent Virgil, Kalidasa, and Tasso." Michael Madhusudan Datta wrote this in a letter to a chum approximately his verse narrative, The Slaying of Meghanada (1861). The epic, a Bengali model of the Ramayana tale during which Ravana, now not Rama, is the hero, has turn into a vintage of Indian literature. Datta lived in Bengal on the peak of what's often known as the Bengal Renaissance, a time so classified for its reinvigoration and reconfiguration of the Hindu earlier and for the florescence of the literary arts. It used to be additionally a interval while the Bengali urban of Kolkata was once a middle of worldwide trade-the moment urban of the British empire-and hence a domain of cultural trade among India and the West. Datta was once the precise embodiment of this time and position. The Slaying of Meghanada is deeply motivated by means of western epic culture, and is sprinkled with nods to Homer, Milton, and Dante. Datta's deft intermingling of western and jap literary traditions caused a sea swap in South Asian literature, and is mostly thought of to mark the dividing line among pre-modern and glossy Bengali literature. Datta's masterpiece is now available to readers of English in Clinton Seely's dependent translation, which captures either the experience and the spirit of the unique. The poem is supplemented via an intensive creation, notes, and a glossary.

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