By Adi Efal
Figural Philology also indicates that Panofsky stocks affinities with twentieth-century romance philology. A studying of Panofsky's paintings along the philological firm of Erich Auerbach and several authors demonstrates right appropriation of the philological impulse delivers a fashion out of the methodological antimony nonetheless putting among hyper-formalist and hyper-theoretical methods to the background of art.
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